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Synthesizer:
The early voltage controlled synthesizer is an assembly of
oscillators, filters, and voltage-control amplifiers by Robert Moog
in 1965. An oscillator is the basic signal-generating component which
was originally designed as part of electrical test equipment. If you
look at the sine wave generator in the physics lab you will see there
is probably only one dial which changes the sound frequencies or
amplitude. In the Moog synthesizer there are various categories of
sound synthesis tools (or 'modules') from the sound generating tool (
such as an oscillator or a noise generator), sound processing modules
(such as the amplifier or filter) to control sources (envelope
generators for example).All modules were compatible with one another
and therefore could be 'patched' together. So, an envelope generator
(see above) which shapes and gives a sound 'characteristics', can
vary the amplitude (loudness) of an audio signal which is input to
it. The output is then a control signal to the amplifier component
etc. We must also mention the most popular manually operated
controller, certainly for frequency or pitch, which is the 12-tone
keyboard. It emits timing pulses( from when pressed to when released)
and control voltages which increase the sound frequencies
exponentially (e.g. going up a semitone = 1/12th of a volt.) This
interdependency of components gives the composer tremendous
flexibility and subtlety in the creation of interesting electronic
sounds and the instrument was portable for the concert hall. Also the
composer can work with the sounds 'in movement', thus reducing the
burden of tape editing to produce sound transformations etc. Couple
this with the fitting of a control device known as a sequencer (which
can be demonstrated using Cubase VST and is familiar to many of you)
and you have a flexible composition and performance tool which
chartered a new sound world (and continues to do so!)
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